Fender blackface vs brownface. Got these little beauties lined up.

Fender blackface vs brownface Similar to tweed but with tighter bass and slightly less mids. Tweed = Fender amps made in the 1950s, have the distinctive yellow/brown tweed fabric covering. Im a guitarist for over 25 years and was asking a question between differences in universal audio interfaces ( the first gen Silver model. Best of both worlds in gain and tone! I'm comparing two original vintage Fender Vibrolux Reverb Combos: 1966 Blackface Vs 1973 Silverface. blackface vs silverface is personal preference really. These are the quintessential years for the Fender Princeton that are of the most interest players and collectors. I haven't A/B'd them in a live band situation. This phase saw the company drape their amplifiers in a cloth covering, which consists of varnished cotton twill. Brownface Princeton 6G2 1961-1963 The Brownface Princeton represented a big change for the Princeton line and many these changes remained through the Blackface and Silverface years. I know Billy Gibbons used one on Tres Hombres (brownface deluxe). I dont know enough to get into detail about the differences between them but whichever sounds best to you is what really matters So what makes a Fender Blackface Deluxe Reverb, Bassman, Super Reverb, Twin Reverb etc. Dec 30, 2006 · Brownface - and Blonde era - Fenders have an inbetween Tweed and BW sound - and it's not just the years! Blondes/Brownface have mids like Tweeds as well as a little softer bottom end, and recessed highs (but still clear). Speaker changes among the models have more impact on tone differences than most of the circuit changes. The Brownface was a 15W amp with tremolo bias wiggle on-board. Incredibly, Fender has at least a dozen classic amps, and three entirely di… Why Brown Face Fender Amps are absolute MAGIC! ToneJunkie TV 48. I’ve heard the early ones lean toward a tweed sound and the later toward a blackface sound - 5 preamp tubes vs 6 - some of them have solid rectifiers etc. So I wonder, is there a tonal difference between those In light of having my first real brownface amp. Here are some pictures of my Brownface Vibroverb builds. Years of Production: 1946 - 1980 Jul 27, 2019 · Named for their black-painted control panels, Blackface Fender amps are one of the company’s most famous and coveted product series. Can anyone name examples of recordings of brownface Fender combos? I have a 61 pro. Apr 27, 2010 · You also have the transitions amps like the blonde tolex/blackface amps which most of the time are just blackface amps in blonde head shells but sometimes (in the case of a blonde tolex/BF , 7 knob Bassman for example) they are a brown style amp with a black face Comparison - 1959 High Powered Fender Twin Amp (Jense P12N Reissue speakers) Vs 1962 Fender Twin Amp (JBL D120F speakers) Vs 1967 Fender Twin Reverb Amp (Pyl Aug 15, 2024 · Fender introduced standalone reverb units that could be piggybacked onto other amps during this period, and later brownface models like the Vibroverb were the first to incorporate onboard reverb. What kinds of amps do you like? The 35w blackface Vibrolux Reverb (VR) is the smallest member of the blackface/silverface 6L6 Fender amp family. The original RCA tubes worked perfectly and the sought-after Jensen C12n speakers with original paper cone defined what Fender clean tone is. Tonally they're right in between tweed and blackface. Got these little beauties lined up. g. Less mids, more clean headroom Jan 8, 2023 · In this blog post, I will discuss the main differences between the different Vibroverb amps that fender offered in the mid 60s as well as the options I offer as an alternative to the originals. Sort of transitional years for Fender amps, slightly louder and cleaner but still have a great blues/rock cranked sound. " 1964-67: Blackface. May 14, 2017 · E. Its strength lies in the sweetness and early breakup caused by the smaller transformers than the Super Reverb, Vibroverb and Pro Reverb. sound clean and sparkly? There are some common design elements that make a clean amp clean? While it isn’t always entirely accurate to describe the brownface/tan-Tolex amps of 1960-’63 as “somewhere between a tweed and a blackface,” this ’62 Princeton fits that billing rather well. For today, we’ll look at the classic Fender blackface-era tone stack from their big amps (Twin, Super, Vibrolux, etc)…for earlier tweeds and brownface amps, that “scoop” in the middle frequencies isn’t there. I'm playing them using a 1973 Gibson Les Paul Custom. The 64′ Custom is the best Fender branded reissue of the Princeton Reverb out there. AB763 Model Differencess Jun 1, 2005 · My Blackface cuts through like a knife but lacks the overdrive that the brown face oozes. Ok briefly! The 68′ Custom Reissue soundwise already is a much better ‘Blackface’ reissue than the 65′. . I had a SF Champ that was basically the same as a tweed Champ. But how do they actually sound in a shoot-out situation? Mar 9, 2012 · Sleepers in Fender Brownface amps IMHO are the Brownface/Blonde Bandmaster, or the Brownface Concert. Both Blackface and Brownface voicings are both available here, giving you an amp-in-a-box overdrive that has enough variability to keep you occupied. What's your experience with this? Do they actually sound that much worse than their Blackface counterparts? What are the actual mechanical differences that would account for the Jul 16, 2001 · I've decided that my next amp homebrew project will be a Fender-style amp, probably the 6G2 Brownface Princeton or the 5E3 Tweed Deluxe. Dec 4, 2019 · Fender’s tone stack, forever, has been boost only with differences in stock voicing being determined by era. Brownface - kind of a transitional period, sounds somewhere in between Tweed and Blackface/Silverface. , I had a very early brownface Pro, and it was as scooped/loud/clean as a Blackface Twin Reverb. Thi I've been reading a few aricles recently on Fender Amps, and two words keep coming up regularly and that is "Blackface" and "Silverface". Model 26 Woodie Deluxe What is more classic than a Blackface Fender Amp? A Tweed Fender Amp perhaps? What about the Brown Fenders, which are experiencing a renaissance in popularity? Few amp companies have more than one classic amplifier design. Fender Deluxe Amplifier Evolution By Rob Robinette Have comments or corrections? Email rob at: robinette at comcast dot net Fender's Deluxe amp went through many changes from 1946 to 2013, some major and some minor, but you won't find a bad sounding one in the bunch. Is the term “blackface” really an issue now for describing differences in faceplates. They were only made for a couple years, so they're some of the rarest and most expensive Fender amps out there. Tweed vs Brownface vs Blackface, 1959 vs 1962 vs 1965 Fender Bassman with Strat and Les Paul Mar 4, 2025 · Anyone have experience with the different Fender Super Brownface circuits? I’m trying to understand the difference between them. They were voiced a bit differently than the brownface amps directly preceding them and the tweeds of the 50's. I can't pick a favorite. :hank The blackface Twin Reverb of 1963 to summer 1967 was followed in fall 1967 by the silverface Twin reverb—a member of the first group of post-Leo Fender amps. Many amps also received tremolo. In this series of articles we will cover the Woody Princetons, Tweeds, Brownface, Blackface and Silverface Princetons. This was when reverb showed up, built in. Many years ago we did a terrible mistake selling a beautiful 1966 blackface Twin Reverb. Surprisingly, the Blackface Princeton Reverb has a version of this bias modulation tremolo and its the only one in the Blackface years to keep it. Side note: If you haven’t read my first blog about why you would buy a replica or clone of a Fender vs The "brownface" Fender Princeton Amp of the early 1960s was an update to both the cosmetics and circuitry of the '50s-era Princetons. In this video we compare the new Fender Brownface Reissue, '62 Princeton Chris Stapleton Edition to an original 1962 Fender Brownface amp, a '62 Concert. Sort of in-between Tweed and Blackface soundwise. The brownface is definitely more aggressive, has less treble and does not have the "Fender sparkle" of the blackface, and of course no reverb. Nov 22, 2009 · I have always heard never buy a Silverface Fender. It was indeed a profitable sale, but ~1960-63: Brownface. Here's a guide to its many models. The Tweed, Brownface and Blackface series is divided into the important eras until the 1960s. It was in perfect technical and cosmetical condition. I have one of each, a '62 Brownface and a '67 Blackface, both are Dual Showmans and are unmodified except for grounded AC plugs, replaced filter caps and newer tubes. The sound is sort of between a tweed and blackface. The Blackface amps got black faceplates, black tolex and silver grill cloth. I play the amps using their own cabs but May 25, 2021 · VS Audio’s new Blackbird Overdrive pedal combines two distinct tones reminiscent of two classic Fender amp types in one compact pedal. Blackface Dual Showmans in an effort to get this thread back on track. When we talk about the 65′ Blackface Reissue, it is friendly priced though. In this video I compare the 4 principle versions of Fender Bassman, and discuss what each of them excel at. It had a brushed aluminum control panel, aluminum trim, blue-sparkle grille cloth and a slightly shallower cabinet. 1K subscribers Subscribe In 1948 Fender entered a new phase of amplifier construction dubbed 'the tweed phase'. The brownface amps were designed for more power, with a dual-6V6 output putting out 12 watts. We have a picture of it below. 100% original except new electrolytic caps. Jul 13, 2017 · Tweed vs Blackface vs BrownfaceBrownface - just right with enough overdrive available and more controllable than a Tweed, I love the typical tonestack especially the ones with the taped pot as they get smoothed out Blackface tones in the top half, and then in kicks the Tweed treble cut as you turn down. Additionally, it was fitted with larger 10-inch speaker and was the first fixed bias Princeton. Mar 15, 2013 · Yeah, I'm not sure there's much difference circuit-wise between a Fender Dual Showman head and a Fender Bassman head of the same vintage, other than the reverbbut I'd probably say the same thing about the Bassman anyway: They're guitar amps, and you can find other amps better suited for bass. This is incorrectly called tweed because of its feel and appearance (actual tweed is a rough woolen fabric). Jul 29, 2017 · Fender is undoubtedly one of the most important companies in the history of guitar and bass amplifiers. Never much of an explanation besides being told they sound horrible. The Deluxe is what many ppl builds, but the lower wattage and added tremolo pushes me towards the 6G2. Both are from Fender's 'Professional' line of the time (the others were the Vibrasonic, Super and Pro) but are generally cheaper than the others, including the Vibrolux, if you don't mind the extra weight of the Concert, or that you need a Fender had many issues since most folks let their amps get out of bias spec and the tremolo would then go away or sound very faint. Brownface = made from 1960-63, have brown tolex covering and brown control plate. Apr 11, 2006 · Here's my take on Brownface vs. The amps made during this period were a considerable leap forward for Fender, and they Black Tolex From mid-1963 to late 1967, Fender’s so-called “blackface” amps were named for the color of their control panels, but as these amps also had black Tolex covering, the term “blackface” quickly came to denote any Fender amp that was basically all black. It’s build point-to-point, but it isn’t exactly friendly priced. Also known for having a unique tremolo system that almost sounds like a Univibe, now known as "harmonic tremolo. Oct 15, 2005 · They, obviously, offer more midrange and earlier overdrive than Blackface Fenders, but tighter tone, more focused distortion tone, and a much faster attack on the note over Tweed Fenders. The Amps are:1968 Fender Bassman AC568 "Silverfac Feb 19, 2010 · In '65 Fender came out with their blackface amps. They have a chimey, almost hi-fi clean sound, and a distinctive loose/nasty/raunchy overdrive with pronounced mids when cranked up. txd1if anqrdr xwa46 xwlq4gsv 22cle fhzy xeqwracg wspyk 6mnt 4yaapeqb